Membership shall be open to any community access station operated by local governments, non-profit schools, colleges, universities, and teaching hospitals associated with an institution of higher learning with internal network, and individuals producing video content, any manufacturers, integrators, vendors or private for profit organizations, and any non-profit organizations, supporting the goals and objectives of JAG. …
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by Doug Seidel
The board is working for you.
We may be on hiatus with general membership meetings this summer, but the executive board is still hard at work for JAG. We just concluded our annual retreat and reviewed a lot of information. Let me give you a short update on what we have been up to.
by John C. Morley, Video Producer and Engineer
Years ago, protecting a television station meant locking the doors, securing the equipment, and ensuring only authorized personnel had access to the control room. Today, another part of the station needs just as much protection: its digital assets.
by Dave Garb, Legislative Committee Chair
Reminder: ADA Title II Web and Mobility Access Compliance with the WCAG 2.1 Level AA Rules – Quickly Approaching & DANGER! Still Floating Around in the Halls of Congress: The American Broadband Deployment Act of 2025 (H.R. 2289)
By Yervant Keshishian, Technical Director and Sales Engineer, Varto Technologies
What JAG members will see at Varto Technologies on September 30
Live-production gear can do more than ever. That does not mean it is always easier to run. The meeting still has to start on time. A remote guest may need to join. A presenter may step away from the podium. Cameras, graphics, recording, and streaming all have to stay on track, often with one person running the show.
by John C. Morley, Independent Producer
Most people assume that when they watch a live television program, community meeting, sporting event, or livestream, everything unfolds exactly as planned. In reality, every live production carries a level of uncertainty. Equipment can fail, unexpected situations can arise, and people can make mistakes. The difference between an amateur production and a professional one is often not whether something goes wrong, but how quickly and calmly the production team responds.
By Brandon Uhlig, Director of Communications, Metuchen Media
My Metuchen Media Journey
I’m the Director of Communications for the Borough of Metuchen and current studio head of Metuchen Media. I assumed this position in July 2018, after eight years leading operations at ESN-TV, the Edison Schools Network.
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