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JAG’s Annual Conference 2025: Technology Events

by Rich Desimone, Conference Coordinator

The JAG Conference Committee has finalized all the panel sessions and roundtables. For details visit: https://jagconference.com

Give-Away Drawing

Vendors are providing prizes to be given away at the closing reception in the exhibit hall. Tickets to win will be available at all events throughout the day.

Just Added…

Inside the Future of Live Production: A Post-NAB Showcase by Varto Technologies Featuring Vizrt & LiveU

Join Varto Technologies—alongside Vizrt and LiveU—for a special Post-NAB 2025 showcase focused on the future of live video production. Presented in a fully-operational environment, this session demonstrates how real-world workflows are transforming the way organizations create, manage, and deliver content across platforms.

At the heart of the demonstration is the powerful TriCaster Vizion—switching between studio and remote sources, automating production tasks, and integrating seamlessly with Viz Flowics for live cloud-based graphics. You’ll see how a remote feed, captured via the LU800 multi-camera field unit, is brought into the production with ultra-low latency, enhanced with real-time visuals, and distributed simultaneously across broadcast, streaming, and social media. The setup mirrors a modern hybrid control room, powered by NDI 6, IP-based video, and flexible cloud infrastructure. Designed for broadcasters, municipal media teams, schools, houses of worship, corporate AV teams, and production companies. A live Q&A follows.

Presented by: Chris Burgos, Senior Presales Consultant, Vizrt; Alex Joyce, VP, Solution Sales Engineering, LiveU; Yervant Keshishian, Sales Engineer & Technical Director, Varto Technologies

Product/Services Demonstrations

Switchboard (NEW THIS YEAR)– Discover a streaming solution that allows users to leverage the power of streaming platforms to present public meetings, webinars, and sporting events with fidelity, security, and reliability. Hassle-free streaming directly to guests’ and partners’ social media platforms without requiring them to share passwords.

Unlock the Power of Multistreaming: Switchboard can help you expand your reach and engage more viewers. Easily publish your live content to the right platforms to get more views, engagement, and revenues.

Visit: https://switchboard.live/

Cologna Productions– Discuss a variety of video production and distribution services that can be tailored to your needs and ideas that provide a video communications strategy designed to integrate seamlessly with your PR, social media, website and other messaging channels.

TelVue Take a closer look at new solutions available in content distribution.

Varto Technologies– Presenting new equipment to enhance your studio capabilities.

LiveUEnd-to-end live video broadcasting solutions portfolio enables broadcasters of all sizes to acquire, share and distribute high-quality video reliably worldwide. From their newest, portable production-level field units to smartphones, satellite/cellular hybrid transmission and IP distribution, they offer a complete range of live video solutions as part of a seamless workflow.

Exhibit Hall

Participating vendors: TelVue Corporation, Planet Network, LiveU, Varto Technologies, Vizrt-TriCaster, G&G Technologies, Switchboard, Cologna Productions, Swit Electronics, JVC Cameras, Tightrope, PTZ Optics, Datavideo, CueScript, Acebil Tripods, Best, Best & Krieger, NJ Motion Picture and TV Commission. For details and updates on these and all the other events visit: https://jagconference.com

Celebrating Our 25th Anniversary

ANNUAL CONFERENCE

May 14 & 15, 2025     Crowne Plaza Hotel, Edison, NJ

A Technology Forum and Production/Management Symposium

Partners

TelVue Cooperation, Varto Technologies, Planet Network, LiveU, Switchboard,

DeSisti Lighting, Cologna Productions, and G&G Technologies

Equipment Seminars

Technology Panels

Product Demonstrations

User Group Meetings

Panel Sessions/Roundtable Discussions

Topics include:

Program Creation and Development, Content Distribution,

Facilities Operation, and Legislation Impacting Community Media

Registration open

  • Discounts are available to all members and their staff.
  • There are options available from full-conference registration to build-your-own registration package by selecting specific days and meals.
  • Thanks to the generous support of our conference partners, we offer a FREE Technology Forum that includes all activities except for meals. Meal tickets purchases can be added when registering.
  • Contact Bob Duthaler, JAG President, at bduthaler@jagonline.org for discount codes.
  • Use this link to register: https://jagconference.com/shop/

Conference schedule

  • Updates will also be sent to the membership on a regular basis as they are confirmed.
  • When they are finalized, conference details will be posted here: https://jagconference.com/

Scholarships available for members

  • Members without financial support from their towns should contact Bob Duthaler, JAG President, at bduthaler@jagonline.org .
  • Options are available to help you and/or a second person (your staff, volunteers, interns, liaisons, and town officials) to attend.

Call for vendors

Hotel Reservations

  • JAG has a special room rate for conference attendees. This rate is good three days prior to the conference and three days after the conference ends.
  • Group Name: Jersey Access Group
  • Group Block Code: JGR.   Direct Dial In #: (866) 279-4813 (Please reference the 3 letter code)
  • Hotel Direct Line: (732) 287-3500

Live Link: https://tinyurl.com/4u7t3ams

Legislative Update April 2025: News from Trenton & Washington, DC – Changes in the FCC

by Dave Garb, Legislative Committee Chair

For 25 years, the Jersey Access Group (JAG) has kept a watchful eye on bills both nationally and statewide that might be an issue for our municipalities and PEG channels throughout New Jersey. But, JAG really started to be legislatively wise in 2011 when JAG mobilizes its membership within 24 hours to combat state legislation that would eliminate the requirements for telecom providers to care about or support community media.

While the bill was fast tracked through the NJ Assembly it still needed to be introduced into the NJ Senate. JAG membership met with their state senators to explain the damage the bill would have on local community television. JAG was able to get more than enough no votes in place so that the bill was never presented before the NJ Senate.

This marked a major victory in what continues to be an ongoing effort by telecommunication providers to remove any support for community media in NJ. Other notable actions based on JAG’S due diligence included:

  • 2015 – NJ Board of Public Utilities was readopting, with amendments, rules for the “Regulations of Cable Television—N.J.A.C.-14:18.” JAG submitted objections about why some changed sections would not work.
  • 2015 – White Paper #6 request, U.S. Reps Greg Walden and Fred Upton wanted information on the “Reasons for the Continued Existence of (PEG) – Public, Education & Government Television Stations.” A 10 point response was created by JAG and sent to both Congressmen, along with Reps Pallone and Lance.
  • 2016 – At the request of the FCC, JAG responded with input on multichannel video programming distributers’ channel line-up placement. The fight to get HD and not being allowed to place PEG content information on their programming guides was paramount, since everyone else was able to acquire it.

Though not legislative, but quite notable, on our 20th anniversary during the pandemic of 2020, PEG became a spark for allowing communications to flow from leadership down to the residents who needed the information the most. Our member stations found new ways to reach their communities. PEG carried virtual town council meetings, the Governor’s entire daily press conferences, health crisis related updates from local officials, and other informational programming that was desperately needed. This gave our municipal members and PEG channels a chance to prove how valuable they were to the citizens they served.

Now, in our 25th year, JAG continues to represent the interests of municipal/community television channels in Trenton and in Washington. JAG’s efforts on behalf of our members have never been more important.

That being said, on May 14-15, 2025, JAG – The Jersey Access Group will be hosting its annual conference at the Crown Plaza Hotel in Edison.  * Everyone is Invited*

The conference is aimed at fostering collaboration and knowledge-sharing among community media staff and independent filmmakers, government officials, educators, and manufacturers to support the growth, opportunities, and challenges affecting our state, communities, and within our industry.

It all starts on Wednesday, May 14th, at lunch when we present Real-time Video Updates and Information During Critical Situations.

This session will help you respond faster and make informed tactical decisions, the key factors for all police, fire and OEM situations. An expert panel will discuss mission critical elements such as real-time video surveillance, bonded cellular technology, using drones, along with The National Defense Authorization Act for fiscal 2024 that includes the American Security Drone Act (which prohibits the government from using federal funds to purchase drones made in China or certain other countries).

We will discuss collaboration between local government access TV and how the office of emergency management (OEM) is highly effective in disseminating important messages to the community. It will also include a live equipment demonstration.

Our panelists will be: Alex Joice, VP of Solution Sales Engineering, LiveU; John Centanni, OEM Director of East Hanover; Louis Venezia, Bloomfield Fire Chief; Luis Figueiredo, Detective Elizabeth Police Department; Yervant Keshishian, Sales Engineer, Authorized Trainer & Technical Director, Varto Technologies;  Moderator: Bob Duthaler, President of JAG.

Then on Thursday, May 15th, we will present A Legislative Roundtable Discussion on What is Currently Happening Nationally, at the FCC and Here in New Jersey.

Hear about the latest changes, proposals, and actions happening nationally and at the state level that could affect our stations and municipalities. Discuss firsthand with our panel of experts on issues such as policy changes, regulatory adjustments, and new bills that might impact our world as we currently know it. Learn where things stand with closed captioning and about the latest undertakings of the FCC regarding broadband, net neutrality, and spectrum allocation.

Mike Wassenaar, President & CEO, Alliance for Community Media; Gerry Lederer, Partner, Best, Best & Krieger LLP; and moderator: David Garb, JAG’s Legislative Committee, Chair., will be our roundtable panelists.

Also on Thursday, May 15th, during our Legislative Luncheon: Broadband Deployment in New Jersey and The Federal Incentives Funding Them will be discussed.

Clearly broadband access is not just necessary, but also required for so many things: information, education, employment, and entertainment. Now that federal money is being distributed to municipalities to provide broadband service to everyone, we at JAG need to understand how this money is being used at the local level and what it means for our stations.

There are a variety of programs that are supposed to feed money to New Jersey Municipalities—the BEAD Program, Affordable Connectivity Program (ACP), Universal Service Fund, H.R.278 – BROADBAND Leadership Act, H.R. 339 – Broadband Resiliency and Flexible Investment Act. We will find out where things stand with them, how it could affect us directly, and how changes in our nation’s capital might affect NJ’s broadband efforts.

Our panelists for this session will consist of: Robert Boyle, CEO, Planet Networks; Joe Rivera, Manager of Broadband Access, New Jersey Board of Public Utilities; Gerry Lederer, Partner, Best, Best & Krieger LLP; Mike Wassenaar, President & CEO, Alliance for Community Media;  and our special guest moderator will be Brian Wahler, Mayor of Piscataway.

To attend these sessions and other conference events, please visit jagconference.com/ to register.

JAG (Jersey Access Group) is an organization that advocates, promotes, and preserves the right to media production, distribution, civic engagement, and education in support of diverse community voices, through Public, Educational and Government access facilities and other forms of media.

President’s Message: Top 20 Reasons to Attend JAG’s Annual Conference—Including Technology Forum and Production/Management Symposium

by Bob Duthaler

Here’s my top 20 reasons to attend JAG’s Annual Conference, including the Partner’s Dinner, JAG’s 25th Anniversary, and JAG Awards Banquet:

1. Celebration of JAG’s 25th Anniversary

This year is JAG’s 25th Anniversary! Celebrate a quarter-century of growth, success, and advocacy for public access TV, community media, and PEG channels. Be part of the celebration and reflect on JAG’s incredible journey that has empowered local media organizations across the country.

2. Unmatched Networking Opportunities

The JAG Annual Conference brings together professionals from across community media and local broadcasting. Meet industry leaders, share experiences, build relationships, and create new opportunities with peers, vendors, and influencers in the field.

3. Dynamic Workshops and Training Sessions

Attend hands-on workshops on a wide range of topics including content creation, new broadcast technologies, legal considerations, production skills, and much more. These educational sessions can help you stay ahead of industry trends and develop practical skills.

4. Specialized User Group Meetings

Whether you use TelVue, TriCaster, or other equipment, the conference offers exclusive user group meetings to help you optimize your gear’s potential. Meet with technical experts, share tips, and troubleshoot challenges.

5. Explore the Latest Technologies at the Exhibitor Displays

The conference features a vendor hall showcasing the latest technologies for video production, streaming solutions, broadcast equipment, and software. Discover tools that can improve your station’s operations and content delivery.

6. Key Legislative Updates Affecting Community Media

Stay informed about important legislative changes and updates that could impact your station’s operations. Experts will discuss the latest regulatory shifts related to PEG access, broadband policy, and more.

7. Improved Emergency Communication Strategies

Real-time video updates and information-sharing strategies can help your station become a trusted resource during natural disasters, public safety crises, or critical situations. Learn how to use community media platforms for emergency communication.

8. In-depth Discussions on Broadband Deployment

With broadband expansion affecting communities nationwide, the conference dives deep into how it impacts PEG access stations. Learn how to adapt your station to capitalize on this expanding network and broaden your reach.

9. Master the Art of Interviewing and Content Creation

Enhance your interview skills and content creation strategies. Learn from professionals who have mastered the art of storytelling. Gain practical advice on how to engage your audience with compelling content.

10. Creative Programming and Content Innovation

Looking for fresh programming ideas? The conference offers sessions that inspire creative programming. From unique formats to new genres, discover ways to diversify content to attract a broader audience.

11. Direct Interaction with Industry Vendors

The conference offers a rare opportunity to connect directly with industry vendors. You can ask questions, demo products, and gain insights into cutting-edge solutions that could benefit your station’s operations.

12. Strategies for Expanding Your Reach with OTT Platforms

Over-the-top (OTT) platforms (Apple TV, Roku, and Amazon Fire TV, etc.) are becoming essential for media outlets. Learn how to integrate OTT platforms into your media plans to extend your reach beyond cable.

13. Gain Insights into Franchise Agreement Negotiations

Franchise agreements are key for successful PEG stations. Attend expert-led sessions on the best practices for negotiating these agreements, ensuring your station remains financially healthy and legally compliant.

14. Best Practices for Closed Captioning Compliance

With increasing legal requirements for closed captioning, this session can help you stay compliant while improving accessibility for all viewers. Learn about tools and strategies to implement and manage closed captioning effectively on your platforms.

15. Boost Efficiency in Production and Operations

Discover tips and tools for streamlining your production process. Learn how to reduce redundancy, optimize equipment use, and enhance your workflows to get more done with fewer resources.

16. Inspiring Keynote Speakers

The conference features powerful keynote speakers from across the media industry who will share their insights, challenges, and vision for community media’s future. Their stories and experiences will inspire and motivate you to take your station to the next level.

17. Recognition at the JAG Awards Banquet

Celebrate the achievements of your peers at the prestigious JAG Awards Banquet. This event recognizes excellence in public access TV, from outstanding content creation to exemplary community engagement. Whether you’re a nominee or an attendee, it’s a great way to honor those who excel in the industry.

18. Exclusive Access to the Partner’s Dinner

The Partner’s Dinner is a unique, invite-only event where you can connect in an intimate setting with industry leaders, potential collaborators, and sponsors. It’s an excellent opportunity to form high-level partnerships and collaborations that could have a significant impact on your station.

19. A Comprehensive, Full-Day Experience

With an action-packed schedule, the JAG Annual Conference offers a complete experience. From engaging workshops and networking opportunities to exciting social events like the awards banquet, you’ll walk away with new insights, skills, and connections that will help you succeed in the community media landscape.

20. Unlock Member-Only Benefits

JAG members enjoy exclusive perks such as discounted conference rates, special access to resources, and member-only content. Attending the conference allows you to take full advantage of these benefits while staying connected with the JAG community.

Attending JAG’s Annual Conference is an investment in your professional development, your station’s success, and the future of community media. You’ll gain practical knowledge, discover new technologies, and leave with fresh inspiration to drive your work forward. For more details and to register, visit www.jagconference.com.

Don’t wait! Register today and be a part of the most important event of the year!

Your Participation is Requested

by Geffrey Belinfante, Chair External Relations

There are lots of reasons to attend this year’s JAG Conference and many of them are detailed in this newsletter, but I want to point out some elements that might also be of interest to our JAG members, but they will only be as good as you the members make them—that’s the four roundtables that need your participation.

On Wednesday I am hosting a roundtable on problem solving for anyone who is involved in running a station.  It features some of our own station managers who will talk about the problems that they have faced in the past and the things they have done to solve those problems. Remember this is a roundtable so we encourage everyone to participate, not just those who are scheduled to help me with the discussion. Here’s the description of the panel from the conference website—don’t miss it!

Problem Solving Forum: Goals & Obstacles (Roundtable)

It’s important for every institution to set goals in order to grow and improve, but setting realistic goals and achieving them can be challenging. Those challenges can vary depending on the goal and what you are trying to achieve. In many cases, achieving that goal depends on finding money. Sometimes it’s knowing how to handle local politics. Sometimes it’s understanding new technology. And, sometimes it’s just a matter of not having enough personnel to execute new plans.

This roundtable will be an interactive investigation on the ways JAG members have found to “sell” programs to councils, show they solved technical problems to reach a goal, or how they redeployed personnel to cover additional needs without adding staff. This roundtable will help you find ways to address those challenges.

Panelists: Don Smith, Station Manager, Cranford TV; Craig Yetsko, Station Manager, North Brunswick TV; Anthony Pagliuco, Station Manager, East Brunswick; Moderator Geoffery Belinfante, External Relations Chair, JAG

While I am describing roundtables, there is a second one on the first day hosted by Bob Duthaler about the ways to approach updating or expanding facilities. If anyone knows anything about building a robust, up-to-date facility it’s Bob. So, don’t miss it and ask lots of questions—this is a roundtable after all.

Building, Expanding or Updating Facilities (Roundtable)

As public access channels and community media networks evolve to meet the demands of a digital-first world, building, expanding, or updating PEG (Public, Education, and Government) facilities has become a critical focus for municipalities, non-profits, and local broadcasters. This roundtable session aims to bring together experts, facility managers, media professionals, and policy makers to discuss the strategic, technical, and operational challenges of developing modern PEG facilities that can effectively serve their communities.

Moderator: Bob Duthaler, President of JAG

On Thursday we have two more roundtables you won’t want to miss. The first will bring you an up-to-date view on the many new ways PEG channels can reach their audience. In an era of cord cutting, this roundtable is not to be missed. Perhaps you have a new and different way you have discovered to communicate with your citizens. Please come and contribute to the discussion. Here’s a description of the roundtable.

Beyond Cable: New Ways to Communicate w/Your Citizens (Roundtable)

Municipal TV is not just cable anymore. We will discuss the various ways a municipality can communicate with their citizens beyond traditional cable television channels. The panel will explore and discuss new video trends in social media, live streaming and how access channels are entering the world of Over The Top (OTT) with their own channels on Apple TV, Roku and more.

Panelists: Gina Forbes, Station Manager, Woodbridge TV; Jesse Lerman President/CEO, TelVue Corporation; Joe Fernandes, Assistant Supervisor, Woodbridge TV; Brandon Uhlig, Station Manager, Metuchen Media; Rudy Ellis, CEO, Switchboard; Panelists/Moderator: Bob Duthaler, Managing Partner, DNS Media Group

Finally, please join me again to discuss new places to find programing in your town. This is a roundtable based on a successful panel discussion we had last year that many found helpful. If you ever find yourself looking for new stories to tell your residents or if you have any success finding an interesting story in a place you never thought to look, please come and share your experiences.

New Programming Ideas & Best Practices (Roundtable)

Tired of the same programs year after year? Is their content in your community beyond council meetings and summer concerts? This panel is designed to give you some ideas on where to find new programming opportunities to enhance your program schedule. Discover new sources of programming that you might have overlooked right in your own backyard, and then learn how you can use AI to help create those programs.

Panelists Ed Cologna, Station Manager, Newark TV; John Morley, Independent Producer; Aime Alonzo, Station Manager, Old Bridge Television; Moderator: Geoffrey Belinfante, External Relations Chair, JAG

In short, come for the exhibits, come for the panels, come for the technology, come for the camaraderie, come to network, and finally come to participate in the Roundtables. See you on May 14th and May 15th.

Celebrating Our 25th Anniversary

ANNUAL CONFERENCE

May 14 & 15, 2025     Crowne Plaza Hotel, Edison, NJ

A Technology Forum and Production/Management Symposium

Partners:

TelVue Cooperation, Varto Technologies, Planet Network, LiveU, Switchboard,

Cologna Productions, and G&G Technologies

Scholarships available for members

  • Members without financial support from their towns should contact Bob Duthaler, JAG President, at bduthaler@jagonline.org .
  • Options are available to help you and/or a second person (your staff, volunteers, interns, liaisons, and town officials) to attend.

Behind the Pixels: The Rise of Virtual Sets in Broadcasting

by John C. Morley, Independent Producer

Virtual sets are revolutionizing media production and they’re changing how TV shows, films, and events are created. This article, explores virtual sets, how they differ from traditional production methods, and why they’re becoming essential for modern broadcasters and filmmakers.

What Is a Virtual Set?

A virtual set is a computer-generated environment used during live-action filming. It provides real-time virtual backgrounds and dynamic elements. Unlike traditional physical sets, which require tangible props and backdrops, virtual sets are created digitally. They offer unparalleled creative flexibility. Producers can switch between locations, times of day, and environments with a few clicks. In traditional green screen setups, actors perform in front of a solid green background, which is replaced with different imagery in post-production. Virtual sets take this concept a step further by rendering backgrounds live, allowing actors and crew to see the final scene while filming. This not only speeds up production, but also improves the realism of the final shot.

The Impact of StageCraft

An example of virtual set technology is The Mandalorian. This show used StageCraft, developed by Lucasfilm’s Industrial Light & Magic (ILM), to create realistic environments using large LED walls that display real-time digital landscapes. The LED walls adjust with the camera’s movements, ensuring the perspective and depth of the background match the shot. StageCraft’s benefits are clear: actors can interact with the set, lighting adjusts automatically, and scenes are filmed without traveling to distant locations. The technology allows for unprecedented realism and efficiency, reducing the time and costs associated with traditional filming.

Why Virtual Sets Matter

Virtual sets offer filmmakers and TV producers big advantages. Virtual sets enable them to create dynamic, immersive environments without expensive location shoots or intricate physical sets. Filming a scene in a desert, on another planet, or in a historical location is done without leaving the studio. In addition to film and TV production, virtual sets have begun to impact other industries. TV newsrooms use virtual studios with augmented reality (AR) graphics. Sports broadcasters are creating immersive pre-game shows and holographic replays. Corporate events and webinars use virtual sets to create customizable environments, saving time and money by eliminating elaborate physical setups.

Challenges and Considerations

Despite their advantages, virtual sets do come with challenges. Setting up a virtual set involves a significant investment in LED walls, powerful computing systems, and specialized staff. Directors and crews must invest time to become familiar with new technologies and techniques. Achieving the right balance between realism and stylized effects can be tricky. While virtual sets offer incredible flexibility, there’s the risk of digital environments feeling artificial or disconnected from live-action footage. With continued advancements, the line between digital and real is becoming harder to distinguish.

The Future of Virtual Sets

The future of virtual sets looks promising. AI integration makes it easier to create and render digital environments. VR and AR are pushing the boundaries of immersion. Offering the best of both worlds, hybrid sets combining physical elements with digital backdrops are becoming more common. As the technology evolves, even smaller studios and independent creators will have access to virtual set production. This wave of new technology may lead to more innovative uses of virtual production across different media. Chief Creative Officer at ILM, Rob Bredow, sums it up perfectly: “Virtual production is not just a tool—it’s a creative enabler that opens doors we never thought possible.” With examples like The Mandalorian, it’s clear that virtual sets are no longer a novelty—they’re a core part of modern filmmaking and broadcasting.

Spotlight: I’m an Independent Producer

by Richard Christopher Scuderi, 52 & Blue Productions

My name is Richard Christopher Scuderi. I fell in love with television at age 5 and always knew that’s what I wanted to do with my life. When it was time for college, I looked for a school that had a strong television program and its own station. Television production was much harder than I thought. Timing was crucial and there was a lot of pressure to be perfect

I graduated in 1987 from Montclair University in Broadcasting and Communications. It was great training and I have been asked back many times to speak about my work on television. My first job in television was a small role in a local soap opera on Suburban Cable. I then made training films for the EPA. I was an extra in a great deal of shows including the original Equalizer television show with Edward Woodward.

Fast forward to more recent years. In 2014, WHCR-DB in Flemington, New Jersey, was starting a live podcast channel and I was chosen to start a weekly series on interior design called Modern Design. It was way ahead of its time and I am now in my tenth year. It’s a live one hour show every Wednesday 3-4 pm with great guests and tips on interior design.

One day when I was in the studio one of the hosts said I should create a show for Princeton Community Television. She said I would be a natural. I came up with a concept and a great opening that really worked. I often was in the top 10 in the early years. As the show progressed, I decided to begin mentoring and bring in students from Hunterdon Central High School and Kean College. I taught teach them about creating, booking, directing, producing, and editing a half-hour weekly talk show.

At this point, I realized I needed to form a small production company. I called it 52 & Blue (it was my birthday). I had just written my first book on overcoming anxiety and depression called The Lonely Boy (its sequel is called The Enlightened Man). Barnes and Noble backed me and sent me on live book talks throughout New Jersey. My interns and I started producing live events and taping them for Comcast. We were really thriving and then Covid hit. Everything stopped and when we finally got back, Princeton Television lost their funding and shut down. It was a big disappointment.

It was at this time; I was diagnosed with blood cancer and began having treatments. I started to examine my life and made a list of the things I wanted to do most. At the top of the list was taking my two books and making them into a movie. The stories are told as a memoir and teach on how to overcome mental health issues in your life. They also speak to a return to kindness and inclusion in the world. Without a television program or podcast to focus on, I began sending my books to anyone in the film and television arenas. I first had some conversations with WABC in New York. I was then on Fox Five in New York who made a piece on my story. Most recently I was contacted by Paramount where we had several meetings. I realized I needed to get legal representation though so progress has stalled and I don’t know if anything will come of it.

I have joined JAG and Piscataway Community Television and am very excited about continuing Designed for the Times at a new station. George and his staff are very professional and accommodating. We are currently shooting in studio right now, but plan to shoot on location around the tri-state area. I am also doing book events and signings all over the NJ/NY area. I believe in education and mentoring and will be adding new interns back to 52& Blue now that we are ramping up again. If you know of anyone looking to learn the television/media business please have them call me @ 908-884-0770. We are currently working on a treatment for the movie and have a great deal of new projects going on.

Spotlight: North Brunswick – New Era begins at North Brunswick TV with new and improved Control Room.

by Craig Yetsko, Station Manager, North Brunswick TV

A new era for North Brunswick TV began last summer with the completion of a project that included major improvements to the control room and a new sound system for the Municipal Building Courtroom and Council Meeting Room.

The origins of this transformation began in 2021 as the remnants of Hurricane Ida caused significant damage and closure of the Municipal Building. While the control room and meeting rooms were largely spared much damage, it became apparent that new and upgraded equipment would be needed.

In early 2023, the station began working with Varto Technologies on a plan to integrate high-quality video, audio and presentation display capabilities. Work on the project began in May 2024, with completion in late July. The new setup had its debut at the July 29 Township Council Meeting.

The control room also has six TV monitors connected to the TriCaster TC2 Elite, speakers and a utility computer, with two monitors used for Cablecast operations, audio control and video editing through DaVinci Resolve.

Feedback has been positive from viewers who tell us that video and audio quality is much improved. This improvement is due to the change from the previous analog composite video wiring to HD-SDI.

The components in the control room’s rack unit include new Cablecast VIO, live and VOD servers, TriCaster TC2 Elite server, Blackmagic Design Smart VideoHub Video, Router, Blue Stream Video Matrix, servers for the Shure wireless microphone system and two UPS battery backup systems.

The TriCaster2 Elite includes a Flex Control Surface. The control room also has six TV monitors connected to the TriCaster TC2 Elite, speakers and a utility computer, with two monitors used for Cablecast operations, audio control and video editing through DaVinci Resolve.

The Court Room and Council Meeting Room have Panasonic AW-UE80 PTZ cameras (4 in the Court Room, 2 in the Council Meeting Room) with a joystick controller in the control room. Two 55 inch TV monitors were installed in each room.

The township moved to a wireless microphone system in the two meeting rooms. A Shure Microflex wireless system was installed, which included 12 microphones in each room, two handheld microphones and charging bays in the control room. Previously, the Court Room had wired microphones while the Council Meeting Room had drop microphones from the ceiling.

An enhancement that really elevated the station’s live meeting production is the ability to control the audio levels in each room and the volume of each microphone. Through the Symextrix’s SymVue control screen, the speakers in each of the room’s zones (three zones in the Court Room, two in the Council Meeting Room) can easily be adjusted or muted.


Another item which will enhance presentation in both meeting rooms is the addition of two T-10 Glass touch screens. The touch screen is plugged into a HDBT port while a laptop is plugged into an HDMI port. The T-10 Glass has a control screen, just like the utility computer, that routes the laptop’s screen to project on to monitors in either room.

Since the return to the Municipal Building, the station has also worked with North Brunswick Township High School to receive videos of athletic games and a semi-monthly news show for broadcast. Another initiative that is around the corner is a video podcast with Mayor Francis ‘Mac’ Womack. The station is currently researching equipment to purchase for the setup. Last year, the township received a $10,000 grant from Altice for the podcast project.

With the upgrades to the control room as well as new equipment in the coming months, the future looks very bright for North Brunswick TV to deliver quality programming to the community.

Essential Guide to Video Frame Rates and Conversion Tools

by John C. Morley, Independent Producer

Whether you’re a seasoned video producer and director like myself or just starting, having the right tools is essential for creating high-quality content. I’ve been a long-time fan of both the free and pro versions of DaVinci Resolve, but sometimes, you need to convert video or audio formats quickly and may not have all your professional tools at your fingertips.

Managing video and audio assets is critical, even if you’re not behind the camera. Whether running a TV station, working full-time in production, or creating social media content, understanding frame rates is key. You may already be familiar with:

  • 24fps for a cinematic feel
  • 30fps for television, online videos, and live streams
  • 60fps for high-definition videos, sports, fast motion, gaming, and YouTube
  • 120fps for ultra-smooth slow-motion effects
  • 240fps for extreme slow-motion and hyper-detailed motion analysis

Many cable stations, however, still request the classic 29.97fps format due to older equipment? In this article, I’ll explore frame rates in more detail and introduce some free video conversion tools—like HandBrake—that can help transcode videos into different formats while adding extra features to enhance your footage

24fps: Classic Cinematic Standard

Why Choose 24fps?

24 frames per second (fps) is the standard frame rate used in video production, particularly for cinematic film projects. This frame rate creates the classic movie effect that audiences have come to expect. It produces a natural, slightly motion-blurred look, which our eyes associate with films. Hollywood films are nearly always shot at 24fps because it preserves the traditional film aesthetic.

Many streaming platforms and digital cameras also adopt this frame rate to maintain storytelling consistency. One advantage of 24fps is that it reduces storage requirements compared to higher frame rates, making it a practical choice for long-form content.

60fps: Ultra-Smooth & Realistic Motion

Why Choose 60fps?

For fast-paced content, 60fps significantly reduces motion blur and delivers a fluid, lifelike viewing experience. It is commonly used in:

  • Sports broadcasting to capture every detail of fast-moving action
  • Gaming and eSports for immersive, seamless visuals
  • Action-heavy scenes where clarity is critical

Storage Considerations for 60fps.

Shooting at 60fps requires significantly more storage. While H.265 compression helps reduce file sizes, 60fps still demands more processing power for recording, editing, and playback. Despite the extra storage and processing requirements, 60fps remains popular for sharp, smooth motion and enhanced clarity.

120fps: Capturing High-Speed Action

Why Choose 120fps?

120fps is a game-changer in video production, delivering exceptional smoothness and minimal motion blur. It is widely used for:

  • Slow-motion cinematography to enhance detail in dramatic scenes
  • Sports and action footage to keep fast-paced moments crisp
  • Gaming and eSports content for ultra-fluid movement

Storage & Processing Demands.

Because of its increased frame count, 120fps requires significantly more storage and processing power.

When Should You Use 120fps?

Use 120fps when:

  • Creating slow-motion footage with high clarity
  • Shooting sports or action scenes where every detail matters
  • Producing high-quality gaming or eSports content

Avoid 120fps when:

  • Filming interviews, vlogs, or standard storytelling (24fps or 30fps is often better suited)
  • Working with limited storage or processing power
  • Not planning to use slow-motion playback; higher frame rates can be unnecessary for standard video

240fps: Extreme Slow Motion & Motion Analysis

Why Choose 240fps?

240fps takes smooth motion to the next level, allowing for ultra-slow-motion playback that captures intricate motion details. It is ideal for:

  • High-speed sports analysis (e.g., tennis swings, golf swings, or martial arts movements)
  • Scientific and industrial applications that require frame-by-frame precision
  • Stunning cinematic slow-motion effects

Storage & Processing Considerations.

At 240fps, video files grow exponentially and post-production demands increase significantly. If working in 4K or higher resolutions, ensure you have the hardware to handle large file sizes and processing loads.

Why Do I Need 29.97fps?

29.97fps is a standard frame rate commonly used in video production, especially for television and broadcast. Many cable stations still utilize 29.97fps, slightly slower than the typical 30fps. This adjustment was initially made to maintain compatibility with color television broadcasts designed to work alongside black-and-white systems.

This change was first introduced in the 1950s when color television was rolled out in the United States. The slight frame rate adjustment helped prevent interference with the audio system.

Today, 29.97fps is still widely used for NTSC (National Television System Committee) video formats, primarily in countries like the U.S. and Japan. It’s especially common in broadcast television and streaming services that follow traditional broadcast standards. Submitting a video at 30fps to a system set to 29.97fps could cause problems.

While the two frame rates are very close, the slight difference in timing can lead to synchronization issues, affecting the overall playback experience.

How to Convert Frame Rates (e.g., 30fps to 29.97fps)

Great, now we know how important it is to be in the correct format, but how do I take my frame rate from 30fps to 29.97fps, for example, if I didn’t shoot it in that?

  1. Audio Video Sync. Ensure your audio is correctly synchronized with your footage before converting.
  2. Use DaVinci Resolve. Change the timeline frame rate to 29.97fps, import your clip, and drag it to the timeline. The system will ask if you want to convert it to the current timeline—click Yes.
  3. Use HandBrake (Free & Powerful). HandBrake lets you easily convert multiple video clips. Select the desired frame rate, apply any required filters, and add them to the queue. Hit Start to begin transcoding.

Choosing the Right Frame Rate for Your Project

While 240fps delivers unmatched clarity and motion precision, it’s not the best choice for every project. Due to its storage and processing demands, it excels in action-heavy scenes and slow-motion filmmaking but may not be practical for everyday use.

If you’re a filmmaker, sports videographer, or content creator specializing in high-speed visuals, 240fps is a must-have tool. But, for traditional storytelling, vlogs, or standard online content, 60fps or 30fps may be the better choice for balancing quality and efficiency. No matter which frame rate you choose, understanding the strengths and trade-offs of each will help you make the best decision for your content. Remember, whatever you do, it is all about the story you tell with your media that will captivate your audience.

JAG’s Annual Conference 2025: Sessions & Roundtables

by Rich Desimone, Conference Coordinator

The JAG Conference Committee has finalizing eight sessions for the Production/Management Symposium on the second day of the conference. Four of these will be panel presentations by industry professional and four will be roundtables that include both JAG members and vendors.

Preview of the Sessions

New Jersey’s Film Industry: A Renaissance in the Garden State. Panelists

  • Charles Riccardi, Operations & Creative Director, NJ Motion Picture & Television Commission
  • (Waiting for additional panelists to confirm)

Storytelling. Guest Speaker: George Roy

Grants for PEG and Community Stations. Panelists:

  • George Ruotolo, Chairman/CEO, Ruotolo Associates
  • Amanda Hicks–Associate, DIBHicks, LLC
  • Dianna Pell GPC, Dianna Pell Associates
  • Reed Carlson, Associate, Ruotolo Associates

How to Conduct a Great Interview: Interviewing Skills and Tips. Panelists:

  • Laura Jones, Television Journalists, Award-winning television host
  • Barry Farber, American entrepreneur, sales consultant, author, and talk show host
  • Don Smith, Former On-air Traffic Anchor, Producer/Host, YouTube Channel The Tri State Traffic Show

Preview of the Roundtables

Using College Interns and How to Find Them. Participants:

  • Abigail Wilson, Production Manager, C-NET, PA
  • George Fairfield, Station Manager, Piscataway TV

A Legislative Discussion on What Is Currently Happening Nationally at the FCC, and in New Jersey. Participants:

  • Mike Wassenaar, President & CEO, Alliance for Community Media
  • Gerry Lederer, Partner, Best, Best & Krieger LLP

Beyond Cable: New Ways to Communicate w/Your Citizens. Participants:

  • Jesse Lerman President/CEO, TelVue Corporation
  • Joe Fernandes, Assistant Supervisor, Woodbridge TV
  • Brandon Uhlig, Station Manager, Metuchen Media
  • Bob Duthaler, Managing Partner, DNS Media Group

New Programming Ideas and Best Practices. Participants:

  • Ed Cologna, Station Manager, Newark TV
  • John Morley, Independent Producer
  • Aime Alonzo, Station Manager, Old Bridge Television

Exhibit Hall: The current list of participating vendors includes TelVue Corporation, Planet Network, LiveU, Varto Technologies, Vizrt-TriCaster, G&G Technologies, Cologna Productions, Swit Electronics, JVC Cameras, Tightrope, PTZ Optics, Datavideo, Best, Best & Krieger, NJ Motion Picture and TV Commission. For details and updates on these and all the other events visit: https://jagconference.com

Registration open

  • Discounts are available to all members and their staff.
  • There are options available from full-conference registration to build-your-own registration package by selecting specific days and meals.
  • Thanks to the generous support of our conference partners, we offer a FREE Technology Forum that includes all activities except for meals. Meal tickets purchases can be added when registering.
  • Contact Bob Duthaler, JAG President, at bduthaler@jagonline.org for discount codes.
  • Use this link to register: https://jagconference.com/shop/

Conference schedule

  • Updates will also be sent to the membership on a regular basis as they are confirmed.
  • When they are finalized, conference details will be posted here: https://jagconference.com/

Scholarships available for members

  • Members without financial support from their towns should contact Bob Duthaler, JAG President, at bduthaler@jagonline.org .
  • Options are available to help you and/or a second person (your staff, volunteers, interns, liaisons, and town officials) to attend.

Call for vendors

Hotel Reservations

  • JAG has a special room rate for conference attendees. This rate is good three days prior to the conference and three days after the conference ends.
  • Group Name: Jersey Access Group
  • Group Block Code: JGR. Direct Dial In #: (866) 279-4813 (Please reference the 3 letter code)
  • Hotel Direct Line: (732) 287-3500

Live Link: https://tinyurl.com/4u7t3ams

Legislative Update March 2025: News from Trenton & Washington, DC – Changes in the FCC

by Dave Garb, Legislative Committee Chair

Last month became an active one for us, but now Congress is dealing with other issues and everything else has slowed down a-bit. So, instead of discussing actions being taken in either our federal or state governments, we are turning our attention to New Jersey for a more in-depth discussion and perspective on what is going on with all legislation and broadband deployment in the Garden State, along with technology backed by acts to aid in emergency situations.

Legislative Highlights at the 2025 JAG Conference

On May 14-15, 2025, JAG – The Jersey Access Group with be hosting its annual conference at the Crown Plaza Hotel in Edison. The conference is aimed at fostering collaboration and knowledge-sharing among community media staff and independent filmmakers, government officials, educators, and manufacturers to support the growth, opportunities, and challenges affecting our state, communities, and within our industry.

On Wednesday, May 14th, we are presenting Real-time Video Updates and Information During Critical Situations. This session can help you to respond faster and make informed tactical decisions. This is critical for police, fire, and OEM situations. A panel of experts will discuss mission-critical elements such as real-time video surveillance, bonded cellular technology, using drones in the field. The panel will discuss:

  • The National Defense Authorization Act, which includes the American Security Drone Act prohibiting the government from using federal funds to purchase drones made in China or certain other countries.
  • The effectiveness of the collaboration between Local Government Access TV and the Office of Emergency Management (OEM) in disseminating messages to the community. Includes  a live equipment demo.
  • Bob Duthaler, President of JAG moderates this panel that includes:
    • Alex Joice, VP of Solution Sales Engineering, LiveU
    • John Centanni, OEM Director of East Hanover
    • Louis Venezia, Bloomfield Fire Chief
    • Luis Figueiredo, Detective Elizabeth Police Department
    • Yervant Keshishian, Sales Engineer, Authorized Trainer & Technical Director, Varto Technologies;

On Thursday, May 15th, we will present a Legislative Roundtable Discussion on what is currently happening nationally at the FCC and here in New Jersey.Topics include:

  • The latest changes, proposals, and actions happening nationally and at the state level that may have an impact on our stations and municipalities. A panel of experts will discuss issues such as policy changes, regulatory adjustments, and newly introduced bills that might impact our world as we currently know it. Closed captioning and undertakings of the FCC regarding broadband, net neutrality, and spectrum allocation.
  • The moderator will be David Garb, JAG’s Legislative Committee, Chair. Panelists include:
    • Mike Wassenaar, President & CEO, Alliance for Community Media
    • Gerry Lederer, Partner, Best, Best & Krieger LLP

Also on Thursday, May 15th, don’t miss our Legislative Luncheon where Broadband Deployment in New Jersey and The Federal Incentives Funding Them will be discussed. Clearly broadband access is not just necessary but required for so many things: information, education, employment, and entertainment. Now that federal money is being distributed to municipalities to provide broadband service to everyone, JAG members need to understand how this money is used at the local level and what it means for our stations:

  • There are a variety of programs that are supposed to feed money to New Jersey municipalities—the BEAD Program, Affordable Connectivity Program (ACP), Universal Service Fund, H.R.278 – BROADBAND Leadership Act, H.R. 339 – Broadband Resiliency and Flexible Investment Act. We will find out where things stand with them, how it could affect us directly, and how changes in our nation’s capital might affect NJ’s broadband efforts.
  • Brian Wahler, Mayor of Piscataway moderates this panel that includes:
    • Robert Boyle, CEO, Planet Networks
    • Joe Rivera, Manager of Broadband Access, New Jersey Board of Public Utilities
    • Gerry Lederer, Partner, Best, Best & Krieger LLP
    • Mike Wassenaar, President & CEO, Alliance for Community Media

To attend these sessions and other at this year’s conference please visitjagconference.com/ to register.

NJ Legislative Actions

For 25 years, JAG has always tried to keep a watchful eye on bills both nationally and state wide that might be an issue for our municipalities and PEG channels in New Jersey. But JAG really started to be legislatively aware in 2011 when JAG mobilizes its membership within 24 hours to combat state legislation that would eliminate the requirements for telecom providers to care or support community media.

While the bill was fast tracked through the NJ Assembly it still needed to be introduced into the NJ Senate. JAG membership met with their state senators to explain the damage the bill would have on local community television. JAG was able to get enough no votes in place so that the bill never was presented before the NJ Senate for a vote. This marked a major victory in what continues to be an ongoing effort by telecommunication providers to remove any support for community media in NJ. Other notable actions on JAG’S due diligence included:

  • 2015 – The NJ Board of Public Utilities was readopting, with amendments, the rules for the “Regulations of Cable Television – N.J.A.C.-14:18”. JAG put in objections stating why certain changes would not work.
  • 2015 – White Paper #6 request, U.S. Representatives Greg Walden and Fred Upton wanted information on the “Reasons for the Continued Existence of (PEG) – Public, Education & Government Television Stations”. JAG created a 10 point response and sent to both Representatives, along with Rep. Pallone and Lance.
  • 2016 – At the request of the FCC, JAG responded with input on Multichannel Video Programming Distributers regarding channel line-up placement. The fight to get HD and not being allowed to place PEG content information on programming guides was paramount, since everyone else was able to acquire it.

Though not legislative, but notable, on our 20th anniversary during the pandemic of 2020, PEG became a spark for allowing communications to flow from leadership down to the residents who needed the information the most. Our member stations found new ways to reach their communities. PEG carried virtual town council meetings, the Governor’s entire daily press conferences, and health crisis related updates from their local officials, and other informational programming desperately needed through the ordeal. This gave our municipal members and PEG channels a chance to prove just how valuable they were to citizens.

In our 25th year, JAG continues to represent the interests of municipal and community television channels in both Trenton and Washington. Our efforts on behalf of our members have never been more important.JAG (Jersey Access Group) is an organization that advocates, promotes, and preserves the right to media production, distribution, civic engagement, and education in support of diverse community voices, through Public, Educational and Government access facilities and other forms of media.