by Randy Visser, East Sales, Cablecast Community Media
Video play-out systems provide community media operations the tools they need to distribute their content to members of their communities, and beyond. Early systems involved the use of multiple video tape machines, and eventually DVD players that were programmed by external devices to play, and then switch, programming from one source to another. You never knew if this complex chain of events was going to work as planned, and the set-up time to cue tapes and calculate “pre-roll” times for every event made the process challenging and time consuming.
Broadcasting in an increasingly connected world means your community channels and programming need to be accessible and available everywhere – on cable, streaming, over-the-top, mobile apps, and social media. Modern broadcast systems have evolved to make all of this easier to manage and automate, from instant publishing to automatically adding multi-language closed captions to live and on-demand programming. Captioning your programming delivers even more value to your diverse communities, and also makes your government meetings fully searchable. Reaching more viewers on new platforms opens up opportunities for revenue generation – including sponsorship, membership, pay-per-view, pay-per-download, and subscription models.
CONNECTED CAM™ Line Offers High-quality, Low-latency IP Video Transmission
Producing live video broadcasts is never easy, but it is especially difficult during pandemic times with limited personnel and less travel options. In many cases, the traditional approach of shipping production equipment from location to location with a professional crew may not be an option. Ensuring you still get the content you need in this new environment becomes much easier with the right tools in place.
Buy a new car in 2022 and the engine is going to be reliable enough no matter what you buy, but in the early days of automobiles the reliability and quality of the prebuilt engines which “coach manufacturers” built their autos upon varied greatly, and you needed to be aware of which vehicles had a top-tier engine and which had a bottom-tier engine.
by Paul A. Distefano, Regional Sales Manager, DeSisti Lighting
What if, today, you need to interview a town official in their office? What if that official’s office is in a century old building with dark wood panels and incandescent lighting? What if that official’s office is in a 1970’s era cookie cutter building with overhead fluorescent tubes in the range of 4000K? What if it is a modern building with LED lighting which is nice and efficient, but not necessarily the highest color rendering because it was chosen to achieve a specific light level and a camera recording in there was not even an afterthought? What if any of these scenarios is further complicated by large windows and window dressing insufficient to control this ambient light….. even if you are lucky and the windows are oriented north/south instead of east/west? What if later that day, you need to cover a musical performance at a school, the library, the senior center, or some other venue that has similarly flat, ugly, low CRI, lighting? Wouldn’t a splash of color on the wall or reflecting off the performer’s guitar make the image more appealing, interesting, or just prettier? What if you also need to provide lighting for a still photographer in the room as well? What if there was a single line of lighting fixtures that could allow you to creatively light under all these varied scenarios, and more, allowing you to record the highest quality images with your camera, whether it is a pro quality 3-chip or your cell phone? Why, it would be the Zelig of lighting fixtures! Well, it exists….. and it is called the Variable White + Color technology provided by DeSisti! By the way, when the technology was first presented to us in its early development stage a couple of years ago, I made the same “Zelig” reference and my heart sunk when my clever reference was met by blank stares from my much younger colleagues on the Skype call. I’m banking on the average age of my friends here at JAG being old enough to get it, though.
By Yervant Keshishian, Sales Engineer & Technical Director, Varto Technologies
Modern broadcast facilities don’t quite look like they used to, and that’s okay! As we look to upgrade and future proof there are several innovative solutions and workflows available that can drastically improve productivity and give us new opportunities to create high quality content.
Today I will dive into a few of these solutions, but I look forward to our presentation on September 29th where we will virtually demonstrate these concepts and more in our new IP-based REMI control room & studio in East Rutherford!
Posted: March 17, 2022 by bduthaler
New “All In One” OMNI Solutions with Closed Captions!
by Randy Visser, East Sales, Cablecast Community Media
Video play-out systems provide community media operations the tools they need to distribute their content to members of their communities, and beyond. Early systems involved the use of multiple video tape machines, and eventually DVD players that were programmed by external devices to play, and then switch, programming from one source to another. You never knew if this complex chain of events was going to work as planned, and the set-up time to cue tapes and calculate “pre-roll” times for every event made the process challenging and time consuming.
Posted: February 15, 2022 by bduthaler
TelVue: Workflow, Captioning, Apps, Monetization and More
by Jesse Lerman, President/CEO, TelVue
Broadcasting in an increasingly connected world means your community channels and programming need to be accessible and available everywhere – on cable, streaming, over-the-top, mobile apps, and social media. Modern broadcast systems have evolved to make all of this easier to manage and automate, from instant publishing to automatically adding multi-language closed captions to live and on-demand programming. Captioning your programming delivers even more value to your diverse communities, and also makes your government meetings fully searchable. Reaching more viewers on new platforms opens up opportunities for revenue generation – including sponsorship, membership, pay-per-view, pay-per-download, and subscription models.
Posted: January 18, 2022 by bduthaler
New JVC PTZ Cameras for Remote Production Over the Internet (REMI)
CONNECTED CAM™ Line Offers High-quality, Low-latency IP Video Transmission
Producing live video broadcasts is never easy, but it is especially difficult during pandemic times with limited personnel and less travel options. In many cases, the traditional approach of shipping production equipment from location to location with a professional crew may not be an option. Ensuring you still get the content you need in this new environment becomes much easier with the right tools in place.
Posted: November 12, 2021 by Doug Seidel
Closed Captioning: Lots of Options
by Daniell Krawczyk, Owner, Municipal Captioning
Buy a new car in 2022 and the engine is going to be reliable enough no matter what you buy, but in the early days of automobiles the reliability and quality of the prebuilt engines which “coach manufacturers” built their autos upon varied greatly, and you needed to be aware of which vehicles had a top-tier engine and which had a bottom-tier engine.
Posted: October 16, 2021 by Doug Seidel
DeSisti Presentation – The Most Versatile Lighting Technology Yet
The Most Versatile Lighting Technology Yet
by Paul A. Distefano, Regional Sales Manager, DeSisti Lighting
What if, today, you need to interview a town official in their office? What if that official’s office is in a century old building with dark wood panels and incandescent lighting? What if that official’s office is in a 1970’s era cookie cutter building with overhead fluorescent tubes in the range of 4000K? What if it is a modern building with LED lighting which is nice and efficient, but not necessarily the highest color rendering because it was chosen to achieve a specific light level and a camera recording in there was not even an afterthought? What if any of these scenarios is further complicated by large windows and window dressing insufficient to control this ambient light….. even if you are lucky and the windows are oriented north/south instead of east/west? What if later that day, you need to cover a musical performance at a school, the library, the senior center, or some other venue that has similarly flat, ugly, low CRI, lighting? Wouldn’t a splash of color on the wall or reflecting off the performer’s guitar make the image more appealing, interesting, or just prettier? What if you also need to provide lighting for a still photographer in the room as well? What if there was a single line of lighting fixtures that could allow you to creatively light under all these varied scenarios, and more, allowing you to record the highest quality images with your camera, whether it is a pro quality 3-chip or your cell phone? Why, it would be the Zelig of lighting fixtures! Well, it exists….. and it is called the Variable White + Color technology provided by DeSisti! By the way, when the technology was first presented to us in its early development stage a couple of years ago, I made the same “Zelig” reference and my heart sunk when my clever reference was met by blank stares from my much younger colleagues on the Skype call. I’m banking on the average age of my friends here at JAG being old enough to get it, though.
Posted: September 15, 2021 by Doug Seidel
Vendor Presentation: Upgrade to a Modern Broadcast Facility:Simplifying Production with New Tools
By Yervant Keshishian, Sales Engineer & Technical Director, Varto Technologies
Modern broadcast facilities don’t quite look like they used to, and that’s okay! As we look to upgrade and future proof there are several innovative solutions and workflows available that can drastically improve productivity and give us new opportunities to create high quality content.
Today I will dive into a few of these solutions, but I look forward to our presentation on September 29th where we will virtually demonstrate these concepts and more in our new IP-based REMI control room & studio in East Rutherford!